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Why Not

I don't have a poem tonight. Perhaps
it's because the fog has settled
and there is no music. Or because
the faucet has jammed and I am
not allowed to fix it. Or because
I am finally single. Or because
the rotten eye stares awake
and cannot sleep. The angles
wrap and there's too much
in the way. Or because the water
slowed down—you know, that
crazy water! And the aching
was too much. The wanting
to make love. The crisscrossing
in the gut from hunger, it's
too much. Or because
the dialects don't let me in
anymore, the singing, the passing
along, I keep trying to tell them
but they send me away. Or the bells
at the hour. The hard knife
above the eye that says life
will only cause you pain. Or
because my muse has gone on a date.
She's been wanting to.
I don't begrudge her.

- Janann Dawkins

(added 07.21.09)

Eleventh Hour

There is a coil at my center. The hamstring
hare will sort this out. I have no other
endings in me. There are only two

herringbones chasing each other.
They save old grace. The punch-
stealers have to sink something

in the nose of a doctor Martin
Morton Martin Morton Marlin
gotta stave eatin' save yourself

Somethin's got prime meatin'
on the bones of this bailiff here
and he ain't cryin' to mama.

Why don't you sit here and wait
for the next way to get us out of here
You ain't foolin' yourself

no more than the others. Tearin' around here
like they own the place. You must be
somethin' simple, flyin' all around

and scarin' the chickens. The button's
up. There's no use in tryin' the door.
There's no way downtown.

- Janann Dawkins

(featured in the poetry forum 07.21.09)

A Skin for Civilization

My mandible
my mandible
I murmur through my mandible
I mumble through my mandible
my tongue just isn't there
it's not there, it's not there
it's already in the grave
my muscle's in the grave
a worm between my throat and cheeks
a worm inside my jaw
my mandible, my mandible
my heart inside my mandible
my voice inside my mandible
the blood around my bone
the water smoothing stone
the water of a riverbed
the fish inside a riverbed
the mud inside a riverbed
that hardens into bone
the bone that forms my mandible
the casket for my tongue
a casket of obsidian
descending into flesh
a casket of obsidian
receding into earth
a casket of obsidian
expanding like a star
a casket of obsidian
existing next to breath

- Janann Dawkins

(featured in the poetry forum 07.05.08)

Found Poem : Who Thinks Abstractly?
Complete Transcript as the Supreme Court deliberates Grutter v. Bollinger, et al

Please those admissions.  Can school enemies
constitute, because racial metaphysics
apply abstractly, the witch?  School
as against the race is cased meaning.

For to practice the achievement explains
loss.  Somebody schooled comes numbered
here, narrowly.  Would ethnicity
superfluously composed know itself?  That nation does.
One knows it is to craft all thinking.

Preferred over courses found or having seriousness,
they got societal.  Few before selecting
exposed choices, the so-recognized suggestions.
If a scene or instruction goes, the single humiliation—
certain artifice—that this reason effects
is instructional.

- Janann Dawkins

Asymptote

There is a frequency, a place,
a ribbon of sound with loops
where thoughts take hold
like kittens up a curtain.
The pattern flutters,
sheer tails in the wind,
black-bordered moths of sun
just beyond reach.

- Janann Dawkins

Nonsense

The universe is a farce,
a frequency of being,
plenum fulcrum
shaznatting to its center.

Bounce back, that's the blather:
words heard in a mugging:
What's the frequency, Kenneth?

Tell us. The mouth is bound
to stick its cents into the fray.

- Janann Dawkins

The Purse With No Strap

I carry dead credit cards in my purse.
The crook who steals them will wake
in a jailful of dreams, his ankles in legirons
and even his tongue confiscated.

If he tries to use the fake money
the clerk will pull out a shotgun
and order him into the cooler
among the milk and heads of lettuce.

His rubber merchandise will bounce like checks.
His cheeks will flare like gas in an arson.
He'll remove his shirt and lie down flat
on the fiery herringbone floor.

- Janann Dawkins

Transpiring This Very Moment

The margin's magic melts like margarine.
Runny, sunny simple oil
tunnels near the tangerine.

Dimpled, rimpled rinds remain
tossed upon the table, tails
of oddly orange orangutans.

Prim and puckered partisans
claim the Swiss's cool new soil
and dance with dandy courtesans.

- Janann Dawkins

Two Questions for the Hitchhikers

The man with the face of a crow
smokes tobacco in his craw.
His hands are full of steering wheel.
He says, "I've driven for a while,

why don't you take over?"
"I dunno," I say, "this is the biggest truck I've ever
seen.  I couldn't take control."
I stare out the window at jet contrails

expanding like marshmallows.
The truck's exhaust in the rearview mirror billows
like poison gas through the tailpipe.
This is shaping up to be quite the roadtrip.

We pass a man carrying armfuls
of scorpions.  We stop.  I ask him, "Isn't that harmful?"
"Nah," he says.  "They wouldn't sting."
When we bury him that night, I'll know he was wrong.

- Janann Dawkins

A bit about Janann: "I have been associated with editing and poetry for most of my life. I co-edited The Freehand Press, the literary journal of my alma mater, Grinnell College. Currently, I am an Associate Editor at Third Wednesday, a fledgling quarterly that publishes the best poetry it comes across. We can be found at thirdwednesday.org."

Janann Dawkins has written
poetry for nearly twenty years. Her poetry has been featured most recently in Third Wednesday, Twilight Ending, The Louisville Review, and First Class. A graduate of Grinnell College with a B.A. in American Studies, she now resides in Ann Arbor, MI.

Janann on the web:
the eye of Nova's mind